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(Vocal/instrumental group, 1974–present) Power-pop quartet from Rockford, Illinois, featuring wacky guitarist Rick Nielsen who were weaned on British Invasion bands. Live album Cheap Trick At Budokan translated their Japanese success (they were regarded as the American Beatles) to home sales in 1979 and spawned hit ‘I Want You To Want Me’. Follow-up album Dream Police (1979) also made ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

As lead guitarist and primary songwriter of the rock band Cheap Trick, Rick Nielsen fired the band’s melting pot of pop melodies and punk energy. Nielsen also became a highly coveted session player in the 1970s. With his legendary guitar collection (numbering over 250) and a unique stage wardrobe featuring bow ties and baseball caps, Nielsen’s style made him ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Alternative-rock guitarist Billy Corgan (b. 1967) was born in Chicago, Illinois. Shortly after starting high school, Corgan began to learn guitar on an imitation Gibson Les Paul. His father, a musician, suggested that Billy listen to Jeff Beck and Jimi Hendrix but refused to teach him to play; consequently, Corgan was self-taught. His early influences were ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Vocal group, 1969–79) An experimental German outfit, Can were significantly influential on both rock and dance music. The band was founded by students of avant-garde composer Karlheinz Stockhausen: Holger Czukay (bass) and Irmin Schmidt (keyboards), with Michael Karoli (guitar), Jaki Liebezeit (drums) and, briefly, David Johnson (flute). American singer Malcolm Mooney joined for Can’s debut album Monster ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Arguably the most important alternative guitarist of the 1990s, Kurt Cobain (1967–94) was born in Aberdeen, Washington. His parents divorced when he was seven, which had a traumatic effect on Cobain, tainting the remainder of his life. From an early age, he showed a keen interest in music, singing along to Beatles’ songs on the ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Although his band of high-school buddies achieved international fame under the name Toto, Steve Lukather (b. 1957), session guitarist extraordinaire, has had to struggle under the same suspicion under which his bandmates have toiled: that the whole may add up to less than the sum of its parts. For Toto, despite achieving worldwide fame with singles like ‘Rosanna’ ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

Taking their name from the meagre rehearsal facilities of its early practitioners, garage rock began in the US during the mid-1960s. The loud, fuzz-toned guitars often failed to disguise links to UK pop mentors like The Beatles, Rolling Stones and The Who. later acid rock bands such as The Electric Prunes incorporated progressive and psychedelic influences. Mostly, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Alternative-rock guitarist Dave Navarro (b. 1967) was born in Santa Monica, California. After hearing Jimi Hendrix, Navarro began playing guitar at the age of seven and was in various bands in school. In 1986, he joined Jane’s Addiction on the recommendation of drummer Stephen Perkins, a childhood friend. Inspired by The Velvet Underground, Joy Division, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The flute most familiar to us from its use in orchestral and solo music is more properly known as a ‘transverse’ or ‘side-blown’ flute. The flute family is distinct from the other woodwind instruments in that it does not use a reed to generate sound. Instead, a stream of air striking the edge of an opening in the side of ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

Acoustic Guitar Throughout its history, the guitar has – perhaps more than any other instrument – managed to bridge the gap between the often disconnected worlds of classical, folk and popular music. Its roots go back to Babylonian times; by the 1500s it was prevalent in Spain, and is still sometimes called the Spanish guitar. Medieval versions – ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The story of classical music is not bound up simply with the traditions of any one country: it is tied up with the cultural development of Europe as a whole. This section attempts to pick out the composers from each successive age who, looked at from one point of view, exerted the greatest influence on their contemporaries and subsequent ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

‘The Bat’ Composed: 1874 Premiered: 1874, Vienna Libretto by Carl Haffner and Richard Genée after Henri Meilhac and Ludovic Halévy’s Le réveillon Prologue Falke wants revenge for a practical joke when Eisenstein left him sleeping, dressed as a bat, outside the Vienna law courts. Act I Eisenstein’s wife, Rosalinde, recognizes the voice serenading her as her ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘The Magic Flute’ The librettist of Die Zauberflöte, Emanuel Schikaneder, Mozart’s old friend and fellow freemason, drew on an eclectic variety of sources, including a French novel, Sethos, Paul Wranitzky’s magic opera Oberon (1789) and the oriental fairy tale Lulu. In the bird catcher Papageno, Schikaneder created for himself a character that could exploit ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Verdi’s last opera, Falstaff was the third taken from William Shakespeare, this time from his Merry Wives of Windsor and Henry IV, Parts 1 and 2. Verdi wrote the opera when he was 79, but it was not his only comic opera, as is often supposed. There was another, Un giorno di Regno, which ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

‘Saint Alexius’ Premiered: 1632, Rome Libretto by Giulio Rospigliosi Prologue The figure of Roma (Rome), surrounded by a chorus of slaves, dedicates the performance to the Prince of Polonia (Poland). Act I Eufemiano, a Roman senator and Alessio’s father, encounters Adrasto, a knight returning from war. While pleased to see Adrasto, Eufemiano mourns the disappearance ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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